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“This Sweet Simple Existence”- July 2026- A Year of Daily Painting
July’s 2026 paintings are value studies created with a variety of mediums like acrylics, watercolors, gouache, charcoal and ink. The paintings were created on watercolor and acrylic paper (9×12”) that was taped off at the halfway point and around the edges for a border. This yielded 2 paintings per sheet of paper, each 6×9” in size. The only exceptions are a series of 3 full length portraits on 9×12” canvas pad sheets. Often, it is the same subject done in 2 different monochromatic colors, for example, a seascape value study done in black and white, and the second one done in phthalo green and white. The idea was to work fast with an economy of brushstrokes and to focus on values, shadows and lights, using just one color and white, or in the case of watercolors just one color.
“This Sweet Simple Existence”- April 2026- A Year of Daily Painting
As part of my daily art project 2026, “This Sweet Simple Existence”, I am painting one painting a day and at the end of every month I will be reflecting on my experience of that month’s daily painting experience. Read my April blog here.
Monstera on Pink, water mixable oil on stretched canvas, 18” x 24”
Still life with Cactus, Acrylic on Stretched Canvas 12” x 16”
I find myself increasingly drawn to still life, perhaps due to its relative feasibility. After all, I do not really have to contend with atmospheric perspective or portraying distance as I would with landscapes.
Magnolia Studies - Garden Blooms Collection- Acrylic on stretched canvas 10” x 12”
My next paintings is a set of 2 small magnolia studies painted with acrylic paint on stretched canvas that I stretched myself, both 10" x 12". The first painting is called "Magnolia Study I", loosely based on a royalty free image.
"Garden Blooms" - Acrylic on stretched canvas, 20” x 20”
The "Garden Blooms" set consists of 4 floral acrylic paintings, the first 2 of which are on 20" x 20" square canvasses. I wanted to experiment with different painting techniques and compare and contrast them. One painting was a relatively tight painting with more visible details and texture and the other is a looser more dynamic painting with quick brushstrokes and minimal texture.
“Into the Blue” - Quadriptych Seascape - Acrylic on Stretched Canvas
I love recycling old paintings, which is exactly what I did with my latest collection. It is a quadriptych painting (a 4-piece painting) of a seascape. Originally it was a heavily textured floral abstract panting that I was given as a gift years ago.

